A Method to the Madness?

Recently, while reviewing edit notes from my agent on my new project, she raised an interesting question about my primary antagonist- aka my bad guy: what motivated him to do the things he did? Was he crazy? Or was there some reason for his actions?

My first reaction was that he was crazy, because the things he does are violent and shocking, so they could only be the work of a crazy person.  But the more I thought about it, the more I realized that while his actions might be crazy, he was scarily sane.  He could rationalize each and every one of his violent acts.  He understood the consequences, and willingly accepted them. 

We've all heard the expression that every villain is the hero in their own story.  In all of my other projects, I could see that clearly, primarily because my antagonists weren't inherently evil, they just wanted something different than the main character, and they had their own reasons for wanting it.

But in this new project, the bad guys are BAAAAD.  And I've found that bad guys who are truly evil are hard to write without making them feel a bit like stereotypical super-villains.   Now that I knew my bad guy wasn't just a lunatic with an agenda, but a person with reason, I had to find a way to humanize him. And that's when I realized the comics had it right:  my super villain needed an origin story.

Every good super villain needs an origin story.  If we can catch a glimpse into the emotional trauma or events that shaped the way the character views the world, we can begin to, if not empathize, than at least start to understand how the character could do such inhuman things.  And, traces of his humanity need to show through at some point too. 

The bottom line:  my bad guy has too be more than his bad acts.  He's a son, a lover, a person who
needs and wants love and acceptance as much as anyone else.  And maybe it's his need for love and acceptance that allows him to be swayed toward certain actions.  Maybe he's conflicted about what he's doing.  Maybe he tries to stop.  But what if stopping leads to the death of the one person he really loved.  How would that guilt shape him?

Going through the exercise of trying to understand every aspect of my bad guy's motivations helped me to understand his actions as something more than just crazy acts of a crazy person.  These were desperate acts of a person who wants to be loved.

And that is a lot more interesting to write!

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Talia Vance
 

website ~ YA Muses blog ~ blog ~ twitter

 

Talia Vance is the author of Spies & Prejudice (Egmont, June 2013),  Silver (Flux) and it's sequel Gold (Fall 2013).  She has worked as a horse trainer, a freelance writer and an attorney.  She lives in Northern California with her husband, children and a needy Saint Bernard named Huckleberry.  Talia always thought she’d grow up to write “the Great American Novel” but her tastes ran more along the lines of torrid romance and fast-paced thrillers. So did her life.  But that's another story.

Mystery Monday #33: Prompt: Think Like A Bad Guy

It's Mystery Monday! For you regulars here, you know that's when we'll give you a writing prompt. Just in case you needed a little creative kick in the ol' behind.

Today, I want to talk about bad guys. I love a good bad guy--why else does your hero need to save the day, right? But writing a bad guy can be quite the challenge, so here's a prompt for this week:

Write your story from the perspective of your bad guy. Okay, so maybe you don't have to actually write the whole thing, but just imagine the story from his or her perspective for this prompt.

1. What's his motivation? What does he want? Make it so in his eyes, your bad guy (or girl) is totally justified.

2. What would be his happy ending? Think how your bad guy could get what (s)he wants. This happy ending can be a plot point in your story-in-progress: by making things very hard for your hero, you can up the stakes and conflict.

3. What's your bad guy's Achilles Heel? Is he afraid of cockroaches (that would be me...), or of losing his kid? This is ammunition for your hero--try to think of a moment where this weak spot can become a tool.

For more ideas, look at your favorite bad guys. Me, I've been watching Justified lately, and Boyd Crowder makes such great multifaceted bad guy. You can almost see his point of view as a completely valid one. Almost.

How 'bout you? Any favorite bad guys? We'll allow TV, movies or books, since it's Monday.