Interrogation Room #45: Julie Berry, author of THE SCANDALOUS SISTERHOOD OF PRICKWILLOW PLACE

We have a repeat offender in the Interrogation Room today: acclaimed author Julie Berry! We hauled her in this time last year to talk about her Edgar-nominated YA mystery ALL THE TRUTH THAT'S IN ME. Julie just can't seem to stay out of trouble, and now she's surrounded by scandal, with the release of her new middle grade mystery, THE SCANDALOUS SISTERHOOD OF PRICKWILLOW PLACE -- out today from Roaring Brook/Macmillan Kids!

We have lots of questions for Julie today, but here's a bit about the new book (whose title we'll abbreviate to SSPP, since we love abbreviations and acronyms here at SSA!):

There's a murderer on the loose—but that doesn't stop the girls of St. Etheldreda's from attempting to hide the death of their headmistress in this rollicking farce.

The students of St. Etheldreda's School for Girls face a bothersome dilemma. Their irascible headmistress, Mrs. Plackett, and her surly brother, Mr. Godding, have been most inconveniently poisoned at Sunday dinner. Now the school will almost certainly be closed and the girls sent home—unless these seven very proper young ladies can hide the murders and convince their neighbors that nothing is wrong.

The Scandalous Sisterhood of Prickwillow Place is a smart, hilarious Victorian romp, full of outrageous plot twists, mistaken identities, and mysterious happenings.

And now, here's the transcript of our second interrogation of Julie! (Plus, her mug shot!)

SSA: So here you are, a repeat offender . . . we last saw you in here one year ago, when we summoned you to answer questions about your YA historical mystery, ALL THE TRUTH THAT'S IN ME.

JB: When do I get to call my lawyer?

SSA: Not so fast. You're a slippery one, Ms. Berry, and we need answers. It seems you've been trespassing into different genres. In short succession, you've written TWO unconventional and historical mysteries -- one in experimental form, and now this new one, a farce. Can we see your poetic license?

JB: Yes, right here.

SSA: Ah. Okay. Well, we've noticed the two books couldn't be more different in tone as well as time periods. How did it feel to go from Puritan America in ALL THE TRUTH THAT'S IN ME to Victorian England in SSPP? And did you learn anything about mystery writing from writing ALL THE TRUTH that helped you with the new novel, despite the vastly different content?

JB: It's kind of fun to go from promoting one novel with a very serious tone to peddling one this playful. I like to mix things up. Both stories have some darkness to them, I'd say, but the flavors are very different. I definitely do think that ALL THE TRUTH gave me invaluable craft practice. I learned how to be very disciplined about clues, details, mechanics, pacing, motive, and what to reveal when. I think these will be useful for any book I write in the future, whether overtly a mystery or not.

SSA: What appeals to you about farce? And what's challenging about writing farce?

JB: Comedies yield laughs, but farce done right threatens the audience with death by laughter. It's one big crescendo of crazy humor, and I love it. I grew up on writers like P.G. Wodehouse (and later, Terry Pratchett's Discworld novels), and on films like Arsenic and Old Lace and His Girl Friday. Nowadays, my family does a lot of community theater, and I've watched more British farces than you can shake a stick at. Over time, I began to deconstruct them to try to understand what makes a farce a farce. Slamming doors? Mistaken identities? Corpses? Or was it more than that?

There's a lot more. Farces have a particular energy and pace. Timing is everything. Careful plotting is crucial. A sort of everyman (or everywoman, or everykid) protagonist is confronted with an unplanned, improbable, twist-of-fate dilemma, and a series of characters who represent extreme stereotypes until the protagonist is totally destabilized by dealing with such loonybirds--until he or she becomes, in essence, one of them. In the process, though, they become less flat-vanilla, and more human, more round, more likable. Miraculously, things work out, balance is restored, and everyone can go on about their lives, but old assumptions, old walls, have been broken down a bit. Cary Grant as Mortimer Brewster in Arsenic and Old Lace may flee from his insane relatives, once he learns he was adopted, shrieking, "I am not a Brewster!" but his bug-eyed stare proves he's become at least a bit of one.

SSA: We understand you did quite a bit of research to bring this 19th-century British boarding school to life. (Not to mention other harrowing scenes, like burying a dead body!) What is one of the most deliciously fascinating facts that you uncovered?

JB: I got to read some wonderfully gruesome accounts of crimes, poisonings, and medical investigations during the Victorian era. Since I've never personally poisoned anyone with cyanide (I swear, I haven't!), I needed to read lots about it. There were some wonderfully lurid poisonings going on, and some truly dastardly poisoners. The relatively recent innovation of life insurance, combined with easy-to-buy poisons and as-yet underdeveloped techniques for detecting them, turned, I regret to say, certain people's unpleasant relatives into solutions for their shopping addiction. Or opium addiction. Insert your addiction of choice.

SSA: How did you get the voice in this novel so pitch perfect? Did you watch a lot of British period dramas on PBS? Read numerous Victorian novels? Or -- our suspicion -- are you actually a time traveler from Victorian England?

JB: I'm the Doctor. Take a look. It's bigger on the inside.

The real Julie Berry!

Guilty on all counts. Who doesn't love Dickens, or the Brontes? I think I was born in the wrong century sometimes. Except that I would never want to have to wear what the Victorians wore underneath all those poufy-sleeve dresses, if you catch my drift, nor visit their doctors if I was ill, nor attend their finishing schools (except maybe this one), nor tolerate their prevailing views of the roles of girls and women. But we owe a great debt to a number of women during this era who made tremendous strides.

SSA: What do you hope contemporary teens or tweens take away from this novel? Is it pure entertainment, or do you think there are bridges they can find to their modern lives?

JB: Pure entertainment is always my goal. My job is to divert you. I wouldn't mind it at all if readers came away with a bit more of an affinity for these genres I've played with, and go hunting on their own for drawing-room mysteries and farces, past and present, to enjoy. If a little girl empowerment was sniffed around the edges, so much the better, but truly, I really just want you to laugh and keep the pages turning.

SSA: Is there anything scandalous about your writing life that you'd care to confess?

JB: Alas, I was scandalously late turning in my most recent manuscript. And I sometimes go scandalously long between showering. Working from home will do that to you. Other than that, my actual writing life is fairly boring. Anything colorful going on in my writing life, to quote the immortal Mr. Tweedy of the Aardman film Chicken Run (who, incidentally, makes a teensy cameo as a constable in my novel), is "all in me head." 

SSA: Thank you for answering our questions, Julie! We'll let you off the hook again. Stay out of trouble -- or rather, stay in trouble -- we love the creative risks you take, and we can't wait to see what you're cooking up next! 

You can track Julie down at her website, on Twitter (@JulieBerryBooks), and on her Facebook fan page. 
You can buy THE SCANDALOUS SISTERHOOD OF PRICKWILLOW PLACE and Julie's other books on Amazon, Barnes & Noble, or at Independent bookstores near you.

Please enjoy this fabulous trailer for SCANDALOUS SISTERHOOD, and then . . .  enter our giveaway! One lucky winner will get a signed hardcover of Julie's new book!



Intrigued? Enter our giveaway on this Rafflecopter thingy below! This giveaway is open internationally. Must be 13+ to enter.
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Interrogation Room #39: Elisa Ludwig, author of PRETTY SLY

Today marks the release of our very own Elisa Ludwig's PRETTY SLY, the sequel to her heart-pounding debut, PRETTY CROOKED, about teenage thief Willa Fox.

PRETTY SLY, called a "crackling-good adventure" by Kirkus, asks the question, "What would you do if your mom disappeared and forbade you to come after her?"

In between celebrations for her launch, Elisa bravely agreed to an interrogation about her writing process.

1) Something I'm dying to know: How did you research the terrific scene where Tre teaches Willa how to pick-pocket in PRETTY CROOKED?

Heh heh. I used a combination of my own real life experience as a pickpocket victim, some shady websites and some very cool YouTube videos—there's a great BBC series called The Real Hustle, which gave me some interesting ideas for mixing up the thieving scenes. The reality is there's a lot of criminal how-to out there for the reading, but that could be a good thing, if people use it to avoid being victimized.

2) Can readers expect to see some familiar faces in PRETTY SLY (besides Willa and Aidan)? Did you pluck any smaller roles from the first book and give them a larger presence in the second book?

Yes, the principle characters are all there, though the Glitterati only have a bit part, which turns the catty quotient in this sequel way down from the first book! I don't know that anyone has a larger presence but even the main characters in the first book are pretty mysterious and secretive, so the second book deepens our understanding of them—but also raises many new questions ...

3) How much downtime did you have between books? Was it easy or difficult to return to characters from the first book? 

I think I finished PRETTY CROOKED in February and started PRETTY SLY in May or June. Not too much time had elapsed, and I was working on copyedits and things while drafting the sequel so that helped keep everything fresh. I loved coming back to the same characters. It was so much easier to start a book in a place where I already understood my characters and their motivations. Sometimes that process alone will take a few drafts. It allowed me to focus on the increasingly more complicated plot!

4) Was your high school experience anything like the experiences of your characters? Was there a clear-cut line between the haves and have-nots?

My high school experience was only similar in that I went to a private school and, as a middle class student, was very aware of class distinctions and how students communicated their status through clothing, cars, etc. While the mean girl behavior in my high school was much more subtle, there was certainly a sense that some (but not all) of the most privileged kids "ruled the school" socially. But I was definitely more of a fringe-y character than Willa. Like the Say Anything dudes say, "by choice, man." Or so I told myself!

5) What challenges did you face in writing SLY that were different from writing CROOKED? Was anything easier the second time around?

I think the challenge with SLY was to make Willa's experience more difficult and keep turning those screws. This book has much higher stakes: she's in greater danger and she's also facing some really difficult emotional truths. The tone here shifts as a result, and keeping that in balance with Willa's bubbly personality and the lighter feel of the first book was at times tricky. On the other hand, I felt really lucky that SLY sends things in such a different direction that it truly felt like a whole new adventure to write. As I said, the characters were much easier the second time around, and I think I had a much better handle on the structure of the story from the very beginning. Also, it certainly didn't hurt that I was working with the same brilliant editors, so I always had their voice in my head when I was drafting, keeping me on course.

6) When you wrote PRETTY CROOKED, did you always know it would have a sequel, or did you envision it as a stand-alone? If you did map out the sequel early on, how much did the finished product of PRETTY SLY compare to your original plan?

I always knew it would be a trilogy. Parts of PRETTY SLY were imagined originally as part of PRETTY CROOKED (through the first leg of their road trip, basically), but as time went on it became clear that Willa's time at Valley Prep really deserved its own book. That being said, all of the key clues except maybe a couple we added in copy edits were already in the first book when it came time to write the second. The third book was much more vaguely conceived going into it, and it probably changed the most dramatically in revisions—down to the actual answer to the mystery!

7) Besides Willa's vicariously satisfying Robin Hood-esque scheme of "spreading the wealth around" at her school, there is a second, overarching mystery about Willa's mother. When you have two (or three!) separate mysteries going on, how do you keep track of each person's head space at different points of their respective time lines? 

Oh, man. That's only the tip of the iceberg with this series! It can be tough, that's for sure. I wish I was one of those people who used Post-Its or a big magic marker or something, but truthfully, I just used a lot of Kanye West all-caps-esque notes to myself in the text as I wrote. Stuff like "REMEMBER: SHE ONLY KNOWS X,Y and Z, HERE!!!" and "HOW THE HECK IS SHE GOING TO COME TO THIS CONCLUSION?!!"

9) PRETTY CROOKED resolves certain plot elements perfectly, while still serving as a cliffhanger. Did you get any angry letters about the ending? Was it difficult to write a conclusion that leads directly into a new adventure?

Yes! Maybe not super-angry, but a lot of teasing and frustrating ones. My editors and I went back and forth about where to leave things, and ultimately decided on the cliffhanger, which has its old-fashioned charms. I wouldn't say it was difficult to write that ending but I maybe felt a bit guilty to do that to readers. I hope PRETTY SLY will satisfy them!

10) I love Aidan and Willa's banter, as well as Willa's friendship-chemistry with Cherise and Tre. Do you have particular techniques you draw on to keep your dialogue so sharp? 

Thank you so much! I like to read dialogue out loud (if no one else is in the house!) to get a feel for how someone might really say something. And it's definitely something I fine-tune in revision, stripping it back more and more, because most people speak much more efficiently than I actually write.

11) When is book #3 coming out?

March 2015!

Check out the trailer for PRETTY SLY, below, and then enter to win a free copy of BOTH BOOKS!




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TOKYO HEIST Celebration Week!

We here at Sleuths, Spies and Alibis are thrilled to celebrate the release of TOKYO HEIST by our fearless detective-leader, Diana Renn. This week we will be talking about Diana's fabulous YA mystery, starting today with an amazing giveaway.

TOKYO HEIST is about a summer vacation that takes an adventuresome turn. So now it's your turn: We want to know all about your best and worst summer vacations ever.

Answer in the comments below for a chance to win a signed copy of TOKYO HEIST and a TOKYO HEIST swag bundle (bookmarks, stickers and special crime scene tape!) or a signed ARC of the MG mystery MALCOLM AT MIDNIGHT by detective W.H. Beck. Tweet about the giveaway, follow us or add TOKYO HEIST to Goodreads for more chances to win!

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Signed ARC (and Swag!) Giveaway for Chris Grabenstein's new MG mystery!

Anthony and Agatha award-winning mystery author Chris Grabenstein will face our rigorous questioning in The Interrogation Room in just a few weeks. In preparation for his visit and the April 10 launch of his action-packed middle grade mystery, RILEY MACK AND THE OTHER KNOWN TROUBLEMAKERS, we have a very special giveaway all week. Enter below to win a signed ARC as well as fun RILEY MACK swag that will delight your kids and students!

From ChrisGrabenstein.com:

Riley Mack and the Other Known Troublemakers, the first book in a hilarious new action-adventure series, is a classic crime caper, a funny, fast-paced mystery/comedy with lovable characters, non-stop action—and a barnful of dogs.

Seventh-grade mastermind Riley Mack and his best buds always come to the rescue when family or friends are in trouble, even if it takes some high-octane subterfuge and fifty pounds of dog food. Kids ages 8-12 will root for Riley and his "Gnat Pack": tech-savvy Jake, dramatic Brianna, big-guy Mongo, and brainy Jamal. They'll hiss for the bad guys, too—the bully Gavin Brown; his father, Fairview's crooked police chief; his conniving grandmother, who runs a filthy puppy mill; and Fairview's gambling-addicted bank manager, who tries to frame Riley's mom. Throw in one stolen goldendoodle, two bumbling bank robbers, and plenty of duct tape, and the action never flags.

Want to know more about RILEY MACK or writing mysteries? You have the chance to ask Chris for advice on Twitter's live #mglitchat  this Thursday at 9 P.M. - EDT.

Past Interrogation Room suspects, including Sheela Chari (VANISHED) and Ben H. Winters (SECRET LIFE OF MS. FINKLEMAN, THE MYSTERY OF THE MISSING EVERYTHING), will be joining in, as well as our own detectives, W.H. Beck (MALCOLM AT MIDNIGHT) and Kristen Kittscher (THE WIG IN THE WINDOW). Click "Read More" Below to pull up the Rafflecopter widget and enter!